Russell has also collaborated with writer Neil Gaiman, illustrating issue #50 of Gaiman's comic series Sandman, titled "Ramadan", later included in the collection The Sandman: Fables and Reflections. He has also adapted several fairy tales by Oscar Wilde into comic-book albums from NBM Publishing. On his Web site, Russell describes his adaptation of Wagner's operatic cycle, The Ring of the Nibelung, published by Dark Horse Comics in two volumes, as his "magnum opus". Opera would continue to resurface in Russell's work, including a four part adaptation of The Magic Flute, taken from Wolfgang Amadeus Mozart's opera. The series also included "Pelleas & Melisande", adapted from Maurice Maeterlinck's play of the same name (which had also been turned into an opera by Claude Debussy), and "Salome" adapted from Oscar Wilde's play of the same name. Included in this series was "The King's Ankus", adapted from Rudyard Kipling's Jungle Book (Russell had previously inked a number of Jungle Book adaptations drawn by Gil Kane, published in Marvel Fanfare). In 1984, Russell began Night Music, an ongoing anthology series for Eclipse Comics featuring some of his most heralded literary and operatic adaptations (Russell has previously used the same title for a black and white collection of the earliest of these works, published by Star*Reach). Russell didn't return to Elric until 1997 when he collaborated directly with Michael Moorcock on Elric: Stormbringer co-published by Dark Horse and Topps. This story was published by Pacific Comics as Elric issues 1-6 in 1983-1984. For the next series, "Elric of Melnibone", (also written by Roy Thomas) Russell shared art duties with Michael T. Russell's first Elric story, the Roy Thomas scripted "The Dreaming City", was published by Marvel Comics in 1982 as Marvel Graphic Novel #2, following initial publication of the first half of the graphic novel in Epic Magazine. This brought him to the attention of editor/packager Mike Friedrich, who was planning a comic adaptation of Michael Moorcock's Elric stories. Withdrawing for a while from mainstream comics, Russell produced a number of experimental strips, many of which were later published in his Night Music series and in Epic Magazine.
Craig Russell, whose sensitive, elaborate artwork, evocative of Art Nouveau illustration, gave the landscape of Killraven's America a nostalgic, pastoral feel, and the Martian architecture the look of futuristic castles." Comics historian Peter Sanderson wrote that, "McGregor's finest artistic collaborator on the series was P. Wells' The War of the Worlds, collaborating with writer Don McGregor. Russell broke into comics in 1972, and first became well known with his 11-issue Amazing Adventures run and subsequent graphic novel featuring Killraven, hero of a future version of H.
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